The excellent Saorise Ronan and Jessica Barden |
Atonement director, Joe Wright’s latest feature Hanna, stars Saorise Ronan as a 16 year old – trained as the perfect assassin by her father (Eric Bana). She is sent on a mission across Europe, however is being pursued by ruthless agents lead by corrupt CIA official, Maria Wiegler (Cate Blanchett).
After seeing the trailer for Hanna, I was rather unmoved by it all. It didn’t look like anything overly exciting or memorable. However, I was pleasantly surprised after viewing the film. Joe Wright presents us with an atmospheric, well crafted chase-thriller with excellent lead and supporting performances. Wright’s direction brings class to what could have been a run of the mill action flick. The film opens with Hanna and her father in Finland, these scenes are quite strikingly shot and make full use of the snow covered locales. He also makes stunning use of the other European locations from rural Morocco to the urban playground of Berlin. The action scenes are well choreographed and tense from Hanna escaping from being held in the CIA underground safe house to a tense chase through a Moroccan dockyard. These scenes work especially well with a funky techo score from The Chemical Brothers.
Eric watches in disgust. |
The wonderful flame haired Blanchett |
Cate Blanchett is wonderful as the CIA official, obsessed with stopping Hanna. Her Southern Dolly Parton-esque drawl brings a strange likeable charm to such a ruthless character. It’s really a testament to Blanchett’s acting. Eric Bana is also perfectly cast, a magnificent actor whom we sadly do not see enough of. The film also features several ‘compulsory’ shirtless shots of Bana, which do not go a miss. The supporting cast also shine, from possibly the campest villain, Isaacs (Tom Hollander), a German mercenary who dresses in shorts similar to those of a 1980s tennis player. Olivia Williams and Jason Fleyming are also on top form as the entertaining hippie couple and Jessica Barden shines as their quick-witted daughter, Sophie. On the downside, the three main characters (all well acted but) lack a large amount of development. For example, it would have nicer to know slightly more about Blanchett and Bana’s characters.
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