James Wan’s first directorial feature film since 2007’s impressive Death Sentence, sees him team up again with frequent collaborator, Leigh Whannell (Writer of Saw/Death Sentence), as well as Oren Peli, the man behind Paranormal Activity. Given the reputation of these three, it would seem their latest feature Insidious would be one hell of a scary film. The film follows married couple Josh (Patrick Wilson) and Renai (Rose Byrne), moving into a new house with their three children. The couple soon have to deal with one of their sons falling into a coma-like state, which is thought to be part of some supernatural trauma. It is soon revealed that they are not alone in this new house, with malevolent forces tormenting them – these are thought to be connected with their sons unresponsive state. Paranormalist, Elise Renier (Lin Shaye) soon appears, and reveals to them (as the trailer so nicely puts it) – “It’s not your house that’s haunted. It’s your son.”
Rose decided to skip the make-up today |
I don’t want to reveal too much of the plot or scares, so I’ll try and keep this somewhat spoiler free. As the film begins we are immediately greeted by chilling opening titles featuring a montage of greyscale scenes showing sinister forces at bay in the house. We are then immediately hit with the blood red, gothic style title, Insidious. I’m not normally swept away by title sequences but these were striking, and before the film even begins we have a sense of the tense and atmospheric nature of the film. Early impressions would have us believe this is an Amityville Horror for the 21st Century or someone more cynical may say is a rehash of Paranormal Activity. The film certainly starts that way with boxes being moved around, demonic voices, etc. but attempts to become slightly more with the ‘haunted child’ element, this idea is met with mixed success. Throughout Insidious, we see some genuinely terrifying things, some of which caused me to gasp, for example we hear a noise and Renai runs upstairs to her baby’s room – we are immediately struck by the shot of the baby standing up in it’s crib, but our attention soon gets diverted to a dark figure standing behind the child, which soon vanishes – this is just an example of the effective type of scares that the film has to offer.
The legend… |
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