Swedish singer-songwriter Andreas Moe celebrates the release of his new pop-flavoured EP It Takes Me Places… The five song collection showcases Andreas’s charm as a singer-songwriter with the musician shining atop this catchy set bursting with big pop hooks, smooth emotive vocals, and the star’s expected songwriting finesse.
We were fortunate enough to find out more about the EP from Andreas, which you can read in our interview below. Andreas also delved into his creative process, collaborations with some of Sweden’s top musical talents, and the evolution of his musical career. Andreas also shared his thoughts on the music industry and his memorable experiences working alongside the late great Avicii.
Thanks to Andreas for taking the time to chat. You can connect with him here.
Congratulations on It Takes Me Places. It’s a really impressive body of work and great to hear a return to a more pop-centred sound for you. What prompted you to navigate in this direction?
Thank you! Honestly, it was all about challenging myself. Growth is key, right? I wanted to step out of my comfort zone and explore something fresh. Plus, I’ve always been a bit of a closet pop fan—it was about time I let that out into the world.
Your songwriting connects on a natural yet emotional level throughout the EP. When you’re writing, do you pull more from personal experiences, or do you enjoy creating stories that listeners can relate to? Any particular stories/experiences that inspired the EP?
It’s a mix of both. Some songs come from personal moments, while others are inspired by my friends’ experiences or stories I make up. I used to be obsessed with only writing from my own perspective, but I’ve learned it’s more about making things relatable. That said, my song Little One is all about my son, so it doesn’t get more personal than that. Unless I write one for my daughter too—no pressure, right? Haha.
You describe the process of making It Takes Me Places as feeling incredibly natural once the songs started coming together. How did that sense of ease and flow influence the overall tone and message/themes of the EP?
Great question! The creative process is almost magical—it just happens without me fully understanding how. Once I felt comfortable with where things were heading, I let go of trying to control everything. That sense of ease really shaped the tone of the EP. It’s special when you allow yourself to let go.
What do you think makes your collaboration with Robin Stjernberg and Kristin Carpenter so effective?
They’re both insanely talented, not just as songwriters but as people. It’s like being in the best room ever—everything flows, we’re never stuck. It feels like making music is the easiest thing in the world when I’m with them, and that’s a pretty rare and amazing feeling.
You’ve had an amazing career as a songwriter. Do you enjoy writing more for yourself or for other artists? Which one feels more natural to you, and why?
Thank you so much! It’s like wearing different hats. My artist project is more of a heart project, where I can experiment and grow. Writing for others? That’s a whole different adventure—it gives me the chance to travel, meet amazing people, and write in ways I never expected. Both are rewarding in their own ways.
One of your earliest numbers was as a featured vocalist on the brilliant Avicii’s Fade Into Darkness (and Last Dance). What are your memories of your collaborations with Avicii?
Only the best memories. It was life-changing for me. Tim was incredibly talented, and I’m still so proud to have been a small part of his journey. At the time, I was young, going out a lot, and hearing the song everywhere was surreal. My friends definitely loved having that as their wingman material, haha! But seriously, it was an unforgettable time in my life.
One of your collaborators on the EP, Robin Stjernberg, had great success at Melodifestivalen (and later Eurovision). Is the contest something you’d be interested in taking part in as an artist or songwriter?
If I write the perfect song for it, count me in! Eurovision is such a wild and exciting ride, so who knows—maybe one day!
Over the course of your career as a singer-songwriter, how have your thoughts or opinions on the music industry changed? Are there any key shifts or lessons that have shaped the way you approach your work today?
How much time do we have? Haha. One big thing I’ve learned is to never take anything for granted. As a songwriter, you’re always just one song, one hook, one lyric away from a breakthrough. But it’s tough, and the competition is fierce. So, I’ve learned not to celebrate too early—patience and persistence are everything.
Looking back at your career so far, what would you say has been the most rewarding moment or project that has really stuck with you?
If I quit music today, in 50 years, I’d look back on a few key moments: recording and releasing my debut album Before the Rumble Comes, touring with John Mayer, collaborating with Avicii on Fade Into Darkness, and selling out my first headline tour. Those are the memories that will always stick with me.
You’ve worked with some of Sweden’s best musical talents: Eric Saade, LIAMOO, David Lindgren, Clara Mae, and Avicii. Are there any other Swedish artists you’d love to work with?
So many! But you forgot my favorite, Jens Hult! I’d love to work with Veronica Maggio, Kent, Bo Kaspers Orkester, and Ghost, to name a few. Sweden’s got no shortage of amazing artists.
As a Stockholm native, what are your favourite things about the city?
How it comes back to life after a long, cold winter. There’s something so magical about the first warm days when everyone’s out enjoying the sun—it’s like we’ve collectively survived hibernation!
